Showing posts with label NeMLA. Show all posts
Showing posts with label NeMLA. Show all posts

Friday, March 1, 2024

Beowulf at NeMLA 2024

Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture

Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and the Monsters & the Monstrous Area of the Northeast Popular Culture Association 

Organized by Michael A. Torregrossa, Carl Sell, Benjamin Hoover, and Richard Fahey

55th NeMLA Convention, Boston, MA, 7-10 March 2024


Updated 3/8/2024


Saturday

Mar 9 Track 16

01:15-02:45

16.29 Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Part 1)

Chair: Michael Torregrossa, Bristol Community College

Chair: Richard Fahey, University of Notre Dame

Location: Dalton B (Media Equipped)

British & Cultural Studies and Media Studies

"Performing Beowulf" Chris Vinsonhaler, City University of New York (BMCC) [WITHDRAWN]

"A 'Thorn and Steel Grendel': Attacking the Mead Hall in The Hyperion Cantos" Benjamin Yusen, Indiana University-Bloomington

"Beowulf Transformed is Beowulf Preserved What’s Old is New Again The Recovery of its Lost Story" James the Howard of Buckingham, Independent Scholar


Saturday

Mar 9 Track 17

03:00-04:30

17.29 Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Part 2)

Chair: Michael Torregrossa, Bristol Community College

Location: Dalton B (Media Equipped)

British & Cultural Studies and Media Studies

"Authenticity and the Genre of Historical Fiction in Beowulf Adaptations for Young Readers" Melissa Filbeck, Texas A&M University

"Beowulf, Exile, and Endless Sword Fights" Maureen Gokey, Russell Sage College

"Beowulf after Beowulf: Continuations of the Old English Epic in Popular Culture" Michael Torregrossa, Bristol Community College

"Contemporary Beowulfs: Translation and Representation" Richard Fahey, University of Notre Dame


Wednesday, August 9, 2023

CFP Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Panel) (9/30/2023; NeMLA Boston 3/7-10/2024)

Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Panel)


Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and the Monsters & the Monstrous Area of the Northeast Popular Culture Association

Organized by Michael A. Torregrossa, Richard Fahey, Carl Sell, and Benjamin Hoover


Call for Papers - Please Submit Proposals by 30 September 2023

55th Annual Convention of Northeast Modern Language Association

Sheraton Boston Hotel (Boston, MA)

On-site event: 7-10 March 2024



Beowulfs Beyond Beowulf: Transformations of Beowulf in Popular Culture (Panel)


The Old English epic Beowulf remains an important touchstone for connecting us to the medieval past, yet it also has continued relevance today through its various transformations in cultural texts (especially works of popular culture). Our hope with this session is to expand our knowledge of these works and assess their potential for research and teaching.


Please visit our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (available at https://beowulf-transformed.blogspot.com/) for resources and ideas.


The full call for papers (with complete session and submission information) can be accessed at https://tinyurl.com/Beowulf-Transformed-NeMLA-2024.



Session Information


Over a millennium old, the story of Beowulf is disseminated primarily through its editions and translations and its transformations. These three types of Beowulfiana represent a massive corpus of over 1000 works according to the Beowulf’s Afterlives Bibliographic Database; though, as medievalists, we tend to focus on the first two categories rather than the last concentrating on scholastic pursuits rather than entertainments. Consequently, many are often surprised by the variety and vitality of this corpus and its vast potential for research and teaching.


New versions of the Beowulf story feature in all forms of modern mediævalisms, yet (as is true with most medieval texts) research continues to focus primarily on depictions of Beowulf on screen (about 100 examples according to the Internet Movie Database). We hope in this session to expand our view of Beowulf’s reception by creators and look more deeply at the text’s wider use.


We are particularly interested in explorations of the adaptation and/or appropriation of the text, its characters, and its themes in works of fiction (at least 250 examples according to the Internet Speculative Fiction Database and much more recorded by the Beowulf’s Afterlives Bibliographic Database) and comics (at least 380 examples according to the Grand Comics Database), as well as their representations in new and neglected works on screen (including film, television, entertainment consoles, and the Internet). Additional versions of the Beowulf can be found in works of creative, performative, and visual arts that also need more attention.


We hope to make our conversation productive. Therefore, we request that submissions highlight the ways the new text transforms the old (for example as interpretations or appropriations of the poem or as an intertext for another work) as well as its value in furthering the Beowulf tradition rather than focusing solely on any perceived defects.


Please see our website Beowulf Transformed: Adaptations and Appropriations of the Beowulf Story (at https://beowulf-transformed.blogspot.com/) for a growing list of ideas, resources and support.


All proposals will also be considered for a themed issue of the open-access journal The Heroic Age: A Journal of Early Medieval Northwestern Europe.


Please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com. .



Submission Information


All proposals must be submitted into the CFPList system at https://cfplist.com/nemla/Home/S/20596 by 30 September 2023. You will be prompted to create an account with NeMLA (if you do not already have one) and, then, to complete sections on Title, Abstract, and Media Needs.


Notification on the fate of your submission will be made prior to 16 October 2023. If favorable, please confirm your participation with chairs by accepting their invitations and by registering for the event. The deadline for Registration/Membership is 9 December 2023.


Be advised of the following policies of the Convention: All participants must be members of NeMLA for the year of the conference. Participants may present on up to two sessions of different types (panels/seminars are considered of the same type). Submitters to the CFP site cannot upload the same abstract twice.(See the NeMLA Presenter Policies page, at https://www.buffalo.edu/nemla/convention/policies.html, for further details,)



Thank you for your interest in our session.


Again, please address questions and/or concerns to the organizers at popular.preternaturaliana@gmail.com. .


For more information on the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, please visit our website at https://MedievalinPopularCulture.blogspot.com/.


For more information on the Monsters & the Monstrous Area of the Northeast Popular Culture Association, please visit our website at https://popularpreternaturaliana.blogspot.com/.


Friday, June 25, 2021

CFP Decentering the White Male Gaze: Inclusivity and Diverse Voices in Beowulf Studies (9/25/21; NeMLA 2022)

Decentering the White Male Gaze: Inclusivity and Diverse Voices in Beowulf Studies (NeMLA 2022)

source: https://call-for-papers.sas.upenn.edu/cfp/2021/06/16/decentering-the-white-male-gaze-inclusivity-and-diverse-voices-in-beowulf-studies

deadline for submissions: September 25, 2021

full name / name of organization: Richard Fahey - NeMLA 2022

contact email: rfahey@nd.edu


Beowulf studies has traditionally been the domain of white male scholars who have historically dominated both the scholarship and translations of the poem. This session seeks to decenter the white male gaze and invites novel perspectives from often marginalized voices in the field to contribute to the many ongoing academic conversations focused on Beowulf.


Although in the field of Beowulf studies, Beowulf has long been regarded as a poem about men and for men, this session rejects such notions and seeks to highlight the formative role women play both in the poem and in the scholarship. Moreover, this session intends to explore the role of race in both the poem and the scholarship, and scholars of color, who have even more underrepresented that women in the field, are especially encouraged to submit proposals. Some recommended topics might include discussion of the role of women in the poem or women’s contributions to scholarship and translations of Beowulf. Other recommended topics might include exploring the role of race and tribalism in the poem, examining the effects of ethno-nationalism and toxic masculinity on interpretations of Beowulf and its literary afterlives, highlighting scholars of color’s contributions to Beowulf studies or centering the perspectives of the monsters.


Please send paper proposals (along with your contact information and a brief academic biography) and/or questions directly to session organizer, Richard Fahey at rfahey@nd.edu. Unless otherwise directed, he will submit the panel details to the conference.


Last updated June 23, 2021